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Arthur and Dash come together to assist a little girl in bad health whom they think is the sufferer they foresee in their nest vision. Her community doesn't allow modern technology even though it might save her.

Everybody has to work side-by-side when Vega and Agatha join the case. Dash and Vega figure out that Vega is the victim in Dash's most recent vision.

Arthur looks deeper into his and his siblings' memories. When a women seeks revenge on her sister's killer, Dash must go undercover to try to detain her.

Also, Agatha starts working on her own plans. When a new police program called Hawk-Eye is put in place, Vega wants Akeela to make Dash the new program analyst.

Also, Vega and Dash wonder if Arthur has a bigger plan. Dash and Vega work together on a search for a murderer who is feeling bad about love.

Dash is also always looking to his siblings for assistance. After Precrime ended a decade ago in D. A sneak peek of Minority Report, which tells the story of a man haunted by the future and a cop haunted by her past as they race to stop the worst crimes before they happen.

Watch Minority Report Add to Watchlist. Sign Up Now. Watch Full Episodes of Minority Report. Season 1 Episode 10 Everybody Runs Season 1 Episode 7 Honor Among Thieves Select the sources you want displayed in the episode guide.

Season 1 10 full episodes. Episode 10 - Everybody Runs. November 30th, The precogs and Vega must come together to thwart a chemical attack by Memento Mori.

Episode 9 - Memento Mori. November 23rd, After finding out the Defense Intelligence Agency is getting close to finding the precogs, Blake holds back important information and Arthur takes charge to save them.

Episode 8 - The American Dream. November 16th, Dash and Vega follow a vision to the Southside, encountering distrust from the community. Episode 7 - Honor Among Thieves.

November 2nd, Dash attempts to investigate a killing by himself. Episode 6 - Fiddler's Neck. October 26th, Arthur and Dash come together to assist a little girl in bad health whom they think is the sufferer they foresee in their nest vision.

Episode 5 - The Present. October 19th, Dash and Vega figure out that Vega is the victim in Dash's most recent vision.

Episode 4 - Fredi. October 12th, When a women seeks revenge on her sister's killer, Dash must go undercover to try to detain her. Episode 3 - Hawk-Eye.

October 5th, When a new police program called Hawk-Eye is put in place, Vega wants Akeela to make Dash the new program analyst.

Like most film adaptations of Dick's works, [8] many aspects of his story were changed in their transition to film, such as the addition of Lamar Burgess and the change in setting from New York City to Washington, D.

The character of John Anderton was changed from a balding and out-of-shape old man to an athletic officer in his 40s to fit its portrayer and the film's action scenes.

The subsequent murders and plot developed from this change. The film's ending also differs from the short story's. In Dick's story, Anderton prevents the closure of the PreCrime division, however, in the movie Anderton successfully brings about the end of the organization.

For instance in the story, Anderton uses a punch card machine to interpret the precogs' visions; in the movie, he uses a virtual reality interface.

The main theme of Minority Report is the classic philosophical debate of free will versus determinism.

The score was composed and conducted by John Williams and orchestrated by John Neufeld, with vocals by Deborah Dietrich. Williams normally enters Spielberg productions at an early stage, well before the movie starts shooting.

For Minority Report however, his entry was delayed due to his work on Star Wars: Episode II — Attack of the Clones , and he joined the film when it was nearly completed, leaving him scant production time.

The soundtrack takes inspiration from Bernard Herrmann 's work. He included traditional noir elements such as a female singer in the Anne Lively scenes, but the "sentimental scenes", which Williams considered unusual for that genre, led to soothing themes for Anderton's ex-wife Lara and son Sean.

In an interview which appeared in The New York Times , Williams said that the choices for many of the pieces of classical music were made by the studio.

He also said that while he did not know why certain pieces were chosen, Franz Schubert 's Symphony No. Hineman is gardening in her greenhouse.

He said he picked the piece because "It seemed to me to be the kind of thing a woman like this would play on the radio.

Oestreich in The New York Times characterized the score as "evocative" and said it was "thoroughly modern" while also being "interlaced with striking snippets of masterworks", including the "lopsided waltz" from the second movement of Tchaikovsky 's Symphony No.

In , a 2-disc limited "expanded edition" was released through La-La-Land Records featuring the full score as heard in the film, along with several alternate and unused tracks as bonus material.

The most commonly criticized element of the film is its ending. The film has a more traditional "happy ending" which contradicts the tone of the rest of the picture.

As one observer mused, "The conclusion of Minority Report strikes me as a joke Spielberg played on his detractors—an act of perfectly measured deviltry.

One critic theorized, "Rather than end this Brazil -ian sci-fi dystopia with the equivalent of that film's shot of its lobotomized hero, which puts the lie to the immediately previous scene of his imagined liberation, Spielberg tries to pass off exactly the same ending but without the rimshot, just to see if the audience is paying attention.

Vest point to a line in the film as possible evidence of this. After Anderton is captured, Gideon tells him that, "It's actually kind of a rush.

They say you have visions. That your life flashes before your eyes. That all your dreams come true. Buckland expressed disappointment in the ending, but blamed Frank.

He felt that given the water theme, and closely tied together tragic parent-child theme, Anderton should have ended the film by taking Agatha in his care if Spielberg wanted a happy ending.

Especially since "Anderton kidnaps Agatha from the precog pool just as his son was kidnapped from a swimming pool" and because Anderton could act as a "substitute parent for Agatha, and Agatha Minority Report is a futuristic film which portrays elements of a both dystopian and utopian future.

Spielberg said that he "wanted to give the movie a noir feel. So I threw myself a film festival. Asphalt Jungle. Key Largo.

The Maltese Falcon. Bleach-bypassing gave the film a distinctive look; it desaturated the film's colors, to the point that it nearly resembles a black-and-white movie, yet the blacks and shadows have a high contrast like a film noir picture.

He also said, "We staged a lot of scenes in wide shots that have a lot of things happening with the frame. Buckland describes the film's 14 minute opening sequence as the "most abstract and complex of any Spielberg film.

The pace of the film is sped up, slowed, and even reversed, and the movie "jumps about in time and space" by intercutting the images in no discernible order.

Next the family involved in the murder in Agatha's vision is shown interacting, which establishes that the opening scene was a prevision.

The picture then cuts back to Anderton and the precogs' images, before alternating between the three. The opening's five-second average is attained despite "very fast cutting" in the beginning and ending, because the middle has longer takes, which reach 20 seconds in some instances.

Spielberg also continues his tradition of "heavily diffused backlighting" for much of the interior shots.

Spielberg typically keeps the plot points of his films closely guarded before their release, and Minority Report was no different.

Tom Rothman , chairman of the film's co-financier Fox Filmed Entertainment , described the film's marketing strategy thus: "How are we marketing it?

It's Cruise and Spielberg. What else do we need to do? The campaign included a tie-in video game released by Activision , which contained a trailer for the movie's DVD.

For the first time, Spielberg allowed filmmakers to shoot footage on the set of one of his films. Premiere -award-winning DVD producer Laurent Bouzereau, who would become a frequent Spielberg DVD collaborator, shot hundreds of hours of the film's production in the then-new high-definition video format.

It contained over an hour of featurettes which discussed various aspects of film production, included breakdowns of the film's stunt sequences, and new interviews with Spielberg, Cruise, and other "Academy Award-winning filmmakers".

It included exclusive extras and interactive features, such as a new Spielberg interview, that were not included in the DVD edition.

The film was transferred from its "HD master" which retained the movie's distinctive grainy appearance.

It received mixed reviews. The site's critical consensus is, "Thought-provoking and visceral, Steven Spielberg successfully combines high concept ideas and high octane action in this fast and febrile sci-fi thriller.

Richard Corliss of Time said it's "Spielberg's sharpest, brawniest, most bustling entertainment since Raiders of the Lost Ark ".

Several critics used their reviews to discuss Spielberg and analyze what the movie signified in his development as a filmmaker.

Andrew O'Hehir of the online magazine Salon expressed excitement over the atypically hard edge of the movie. It's too early to know whether Minority Report , on the heels of A.

Hoberman of The Village Voice said it is "the most entertaining, least pretentious genre movie Steven Spielberg has made in the decade since Jurassic Park.

Though he approved of the movie, he derided it in his review as a superficial action film, cautioning audiences to enjoy the movie, but not "be conned into thinking that some sort of serious, thoughtful statement is being delivered along with the roller-coaster ride.

Andrew Sarris of the New York Observer gave the film a negative review in which he described the script as full of plot holes, the car chases as silly, and criticized the mixture of futuristic environments with "defiantly retro costuming".

On September 9, , it was announced that a follow-up television series had been given a pilot commitment at Fox.

The series was envisioned to be set 10 years after the film, and focused on a male precog who teams up with a female detective to find a purpose to his gift.

From Wikipedia, the free encyclopedia. For other uses, see Minority Report. Theatrical release poster. Gerald R.

Molen Bonnie Curtis Walter F. Parkes Jan de Bont. Scott Frank Jon Cohen. Release date. Running time. Main article: Technologies in Minority Report.

Main article: Themes in Minority Report. John Williams. Main article: Minority Report TV series. Retrieved August 12, Retrieved March 24, British Board of Film Classification.

Retrieved January 30, Box Office Mojo. Retrieved December 8, Retrieved March 29, Dick's dark dreams still fodder for films".

Seattle Post-Intelligencer. Retrieved December 10, Archived from the original on January 2, Retrieved December 9, Entertainment Weekly. Retrieved December 13, The Daily Telegraph.

Retrieved March 9, The New Zealand Herald. Retrieved December 12, Screenwriters Utopia. December 6, Archived from the original on March 24, Retrieved March 26, The New York Times.

Retrieved April 10, Archived from the original on June 21, March 15, Archived from the original on January 11, Retrieved February 13, Retrieved May 13, The Washington Post.

Retrieved February 21, Archived from the original on May 14, Wired Retrieved February 12, June 17, Archived from the original on May 17, Retrieved April 16, Howard, Crowe".

Creative Planet Network. February 14, Retrieved March 6, May 31, Retrieved May 21, Find out how it will make you a better person.

Film Comment. July—August Archived from the original on July 31, June 21, Retrieved March 25, LA Weekly. Retrieved March 5, Rhizomes 8.

June 25, The Village Voice. Metro Weekly. Archived from the original on February 3, Retrieved December 18, San Francisco Chronicle.

June 30, New York Press. Archived from the original on February 28, Retrieved May 11, The Christian Science Monitor.

Retrieved December 17, Retrieved March 12, Louis Post-Dispatch. But Godard, Too". Archived from the original on March 29, Axis Communications.

Archived from the original on April 16, June 26, June 24, July 2, Archived from the original on March 21, Retrieved February 17,

Minority Report Stream Category Archive.

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Minority Report 2002 Full Movie HD Shopbop Designer Fashion Brands. Amazon Second Chance Pass it on, trade it in, Gloria Kino Erkelenz it a second life. Quite a Kino Stream Free Feast!! There's a problem loading this menu right now. Now with that said, that does not change my opinion about the film. By ordering or viewing, you agree to our Terms. Read more. Despite John Karna shortcomings The Island is still an enjoyable film. Posting Komentar.

Dash is also always looking to his siblings for assistance. After Precrime ended a decade ago in D. A sneak peek of Minority Report, which tells the story of a man haunted by the future and a cop haunted by her past as they race to stop the worst crimes before they happen.

Watch Minority Report Add to Watchlist. Sign Up Now. Watch Full Episodes of Minority Report. Season 1 Episode 10 Everybody Runs Season 1 Episode 7 Honor Among Thieves Select the sources you want displayed in the episode guide.

Season 1 10 full episodes. Episode 10 - Everybody Runs. November 30th, The precogs and Vega must come together to thwart a chemical attack by Memento Mori.

Episode 9 - Memento Mori. November 23rd, After finding out the Defense Intelligence Agency is getting close to finding the precogs, Blake holds back important information and Arthur takes charge to save them.

Episode 8 - The American Dream. November 16th, Dash and Vega follow a vision to the Southside, encountering distrust from the community.

Episode 7 - Honor Among Thieves. November 2nd, Dash attempts to investigate a killing by himself. Episode 6 - Fiddler's Neck.

October 26th, Arthur and Dash come together to assist a little girl in bad health whom they think is the sufferer they foresee in their nest vision.

Episode 5 - The Present. October 19th, Dash and Vega figure out that Vega is the victim in Dash's most recent vision. Episode 4 - Fredi. October 12th, When a women seeks revenge on her sister's killer, Dash must go undercover to try to detain her.

Episode 3 - Hawk-Eye. October 5th, When a new police program called Hawk-Eye is put in place, Vega wants Akeela to make Dash the new program analyst.

Episode 2 - Mr. Nice Guy. September 28th, Dash and Vega work together on a search for a murderer who is feeling bad about love.

Episode 1 - Pilot. September 21st, After Precrime ended a decade ago in D. Episode 0 - Preview. September 5th, A sneak peek of Minority Report, which tells the story of a man haunted by the future and a cop haunted by her past as they race to stop the worst crimes before they happen.

Minority Report News. New Episodes On Tonight. Almost Human. Anderton takes Agatha to a hacker to extract the minority report of Leo Crow Mike Binder , but none exists; instead, Agatha shows him an image of the murder of Ann Lively Jessica Harper , a woman who was drowned by a hooded figure five years prior.

Anderton and Agatha go to Crow's hotel room as the hour time nears, finding numerous photos of children, including one of Sean.

Crow arrives and Anderton prepares to kill him, accusing him of being a serial child killer. Agatha talks Anderton out of shooting Crow - barely - by telling him that he has the ability to choose his future now that he is aware of it.

Crow, however, begs to be killed, having been hired by an unknown entity to plant the photos and be killed in exchange for his family's financial well being.

Crow grabs Anderton's gun and pulls the trigger, killing himself as Agatha watches in horror. Anderton and Agatha flee to Lara's house outside the city for refuge.

There they learn Lively was Agatha's drug-addicted mother who sold her to PreCrime. Lively had sobered up and attempted to reclaim Agatha, but was murdered.

Anderton realizes he is being targeted for knowing about Lively's existence and her connection to Agatha.

Witwer, studying Crow's death, suspects Anderton is being framed. He examines the footage of Lively's murder and finds there were two attempts on her life, the first having been stopped by PreCrime but the second, occurring seconds later, having succeeded.

With the Precogs still offline, the murder is undetected. Lara had earlier called Burgess, revealing that Anderton is with her. Anderton is captured, accused of both murders, and imprisoned after being fitted with the brain device that puts him into a dreamlike sleep.

Agatha is reconnected to the PreCrime system. While attempting to comfort Lara, Burgess accidentally reveals himself as Lively's murderer.

Lara frees Anderton, who then exposes Burgess at a PreCrime celebratory banquet by playing the full video of Agatha's vision of Burgess killing Lively.

A new report is generated at PreCrime, indicating that Burgess will kill Anderton. In a confrontation with Anderton, Burgess admits that PreCrime could not function without Agatha; he killed Lively following an actual attempt on her life that he had arranged, knowing that the murder would appear as an echo within PreCrime and be ignored.

Anderton points out the dilemma Burgess now faces: he can kill Anderton and validate PreCrime at the cost of his own life, or he can spare Anderton and allow the program to be discredited and shut down.

The flaw in the system, Anderton notes, is that people can change their future once they become aware of it.

Burgess commits suicide. Afterwards, the PreCrime system is shut down. All the prisoners are pardoned and released, although many remain under police surveillance for years.

Anderton and Lara reconcile and prepare for the birth of a new child, and the Precogs are sent away to an undisclosed location to live their lives in peace.

Dick's story was first optioned by producer and writer Gary Goldman in Spielberg was not directly involved in the writing of the script, though he was allowed to decide whether the picture's screenplay was ready to be filmed.

When Cohen submitted an acceptable revision, he called Cruise and said, "Yeah, I'll do this version of the script.

When Anderton sees the clip, his belief in the infallibility of the precogs' visions convinces him it is true, therefore the precogs have a vision of him killing Witwer.

At the end, Anderton shoots Witwer and one of the brother precogs finishes him off, because Witwer had slain his twin. I haven't worked with many movie stars—80 per cent of my films don't have movie stars—and I've told them if they want to work with me I want them to gamble along with me.

I haven't taken a salary in 18 years for a movie, so if my film makes no money I get no money. They should be prepared to do the same. Production was delayed for several years.

The original plan was to begin filming after Cruise's Mission: Impossible 2 was finished, but that film ran over schedule, which also allowed Spielberg time to bring in screenwriter Scott Frank to rework Cohen's screenplay.

He also rewrote Witwer from a villain to a "good guy", as he was in the short story. They won a partial victory; they were not given writing credits, but were listed as executive producers.

Spielberg also offered the role of Witwer to Javier Bardem , who turned it down. After E. He wanted to consult with the group to create a plausible "future reality" for the year as opposed to a more traditional "science fiction" setting.

Lynn praised his work, saying that a "lot of those things Alex cooked up for Minority Report , like the 3-D screens, have become real.

Spielberg described his ideas for the film's technology to Roger Ebert before the movie's release:. I wanted all the toys to come true someday.

I want there to be a transportation system that doesn't emit toxins into the atmosphere. And the newspaper that updates itself The Internet is watching us now.

If they want to. They can see what sites you visit. In the future, television will be watching us, and customizing itself to what it knows about us.

The thrilling thing is, that will make us feel we're part of the medium. The scary thing is, we'll lose our right to privacy. An ad will appear in the air around us, talking directly to us.

Minority Report was the first film to have an entirely digital production design. The technology also allowed the tie-in video game and special effects companies to cull data from the previous system before the film was finished, which they used to establish parameters for their visuals.

When Spielberg quickly became a fan, McDowell said "It became pretty clear that [he] wouldn't read an illustration as a finished piece, but if you did it in Photoshop and created a photorealistic environment he focused differently on it.

Although it takes place in an imagined future world of advanced technology, Minority Report attempts to embody a more "realistic" depiction of the future.

Thus Washington, D. Production designer Alex McDowell was hired based on his work in Fight Club and his storyboards for a film version of Fahrenheit which would have starred Mel Gibson.

McDowell studied modern architecture, and his sets contain many curves, circular shapes, and reflective materials.

Costume designer Deborah L. Scott decided to make the clothes worn by the characters as simple as possible, so as not to make the depiction of the future seem dated.

The stunt crew was the same one used in Cruise's Mission: Impossible 2 , and was responsible for complex action scenes. These included the auto factory chase scene, filmed in a real facility using props such as a welding robot, and the fight between Anderton and the jetpack-clad officers, filmed in an alley set built on the Warner Bros.

The holographic projections and the prison facility were filmed by several roving cameras which surrounded the actors, and the scene where Anderton gets off his car and runs along the Maglev vehicles was filmed on stationary props, which were later replaced by computer-generated vehicles.

The Philip K. Dick story only gives you a springboard that really doesn't have a second or third act.

Most of the movie is not in the Philip K. Dick story — to the chagrin of the Philip K. Dick fans, I'm sure. Like most film adaptations of Dick's works, [8] many aspects of his story were changed in their transition to film, such as the addition of Lamar Burgess and the change in setting from New York City to Washington, D.

The character of John Anderton was changed from a balding and out-of-shape old man to an athletic officer in his 40s to fit its portrayer and the film's action scenes.

The subsequent murders and plot developed from this change. The film's ending also differs from the short story's. In Dick's story, Anderton prevents the closure of the PreCrime division, however, in the movie Anderton successfully brings about the end of the organization.

For instance in the story, Anderton uses a punch card machine to interpret the precogs' visions; in the movie, he uses a virtual reality interface.

The main theme of Minority Report is the classic philosophical debate of free will versus determinism. The score was composed and conducted by John Williams and orchestrated by John Neufeld, with vocals by Deborah Dietrich.

Williams normally enters Spielberg productions at an early stage, well before the movie starts shooting. For Minority Report however, his entry was delayed due to his work on Star Wars: Episode II — Attack of the Clones , and he joined the film when it was nearly completed, leaving him scant production time.

The soundtrack takes inspiration from Bernard Herrmann 's work. He included traditional noir elements such as a female singer in the Anne Lively scenes, but the "sentimental scenes", which Williams considered unusual for that genre, led to soothing themes for Anderton's ex-wife Lara and son Sean.

In an interview which appeared in The New York Times , Williams said that the choices for many of the pieces of classical music were made by the studio.

He also said that while he did not know why certain pieces were chosen, Franz Schubert 's Symphony No. Hineman is gardening in her greenhouse.

He said he picked the piece because "It seemed to me to be the kind of thing a woman like this would play on the radio.

Oestreich in The New York Times characterized the score as "evocative" and said it was "thoroughly modern" while also being "interlaced with striking snippets of masterworks", including the "lopsided waltz" from the second movement of Tchaikovsky 's Symphony No.

In , a 2-disc limited "expanded edition" was released through La-La-Land Records featuring the full score as heard in the film, along with several alternate and unused tracks as bonus material.

The most commonly criticized element of the film is its ending. The film has a more traditional "happy ending" which contradicts the tone of the rest of the picture.

As one observer mused, "The conclusion of Minority Report strikes me as a joke Spielberg played on his detractors—an act of perfectly measured deviltry.

One critic theorized, "Rather than end this Brazil -ian sci-fi dystopia with the equivalent of that film's shot of its lobotomized hero, which puts the lie to the immediately previous scene of his imagined liberation, Spielberg tries to pass off exactly the same ending but without the rimshot, just to see if the audience is paying attention.

Vest point to a line in the film as possible evidence of this. After Anderton is captured, Gideon tells him that, "It's actually kind of a rush.

They say you have visions. That your life flashes before your eyes. That all your dreams come true. Buckland expressed disappointment in the ending, but blamed Frank.

He felt that given the water theme, and closely tied together tragic parent-child theme, Anderton should have ended the film by taking Agatha in his care if Spielberg wanted a happy ending.

Especially since "Anderton kidnaps Agatha from the precog pool just as his son was kidnapped from a swimming pool" and because Anderton could act as a "substitute parent for Agatha, and Agatha Minority Report is a futuristic film which portrays elements of a both dystopian and utopian future.

Spielberg said that he "wanted to give the movie a noir feel. So I threw myself a film festival.

Asphalt Jungle. Key Largo. The Maltese Falcon. Bleach-bypassing gave the film a distinctive look; it desaturated the film's colors, to the point that it nearly resembles a black-and-white movie, yet the blacks and shadows have a high contrast like a film noir picture.

He also said, "We staged a lot of scenes in wide shots that have a lot of things happening with the frame. Buckland describes the film's 14 minute opening sequence as the "most abstract and complex of any Spielberg film.

The pace of the film is sped up, slowed, and even reversed, and the movie "jumps about in time and space" by intercutting the images in no discernible order.

Next the family involved in the murder in Agatha's vision is shown interacting, which establishes that the opening scene was a prevision.

The picture then cuts back to Anderton and the precogs' images, before alternating between the three. The opening's five-second average is attained despite "very fast cutting" in the beginning and ending, because the middle has longer takes, which reach 20 seconds in some instances.

Spielberg also continues his tradition of "heavily diffused backlighting" for much of the interior shots. Spielberg typically keeps the plot points of his films closely guarded before their release, and Minority Report was no different.

Tom Rothman , chairman of the film's co-financier Fox Filmed Entertainment , described the film's marketing strategy thus: "How are we marketing it?

It's Cruise and Spielberg. What else do we need to do? The campaign included a tie-in video game released by Activision , which contained a trailer for the movie's DVD.

For the first time, Spielberg allowed filmmakers to shoot footage on the set of one of his films. Premiere -award-winning DVD producer Laurent Bouzereau, who would become a frequent Spielberg DVD collaborator, shot hundreds of hours of the film's production in the then-new high-definition video format.

It contained over an hour of featurettes which discussed various aspects of film production, included breakdowns of the film's stunt sequences, and new interviews with Spielberg, Cruise, and other "Academy Award-winning filmmakers".

It included exclusive extras and interactive features, such as a new Spielberg interview, that were not included in the DVD edition.

The film was transferred from its "HD master" which retained the movie's distinctive grainy appearance. It received mixed reviews.

The site's critical consensus is, "Thought-provoking and visceral, Steven Spielberg successfully combines high concept ideas and high octane action in this fast and febrile sci-fi thriller.

Richard Corliss of Time said it's "Spielberg's sharpest, brawniest, most bustling entertainment since Raiders of the Lost Ark ". Several critics used their reviews to discuss Spielberg and analyze what the movie signified in his development as a filmmaker.

Andrew O'Hehir of the online magazine Salon expressed excitement over the atypically hard edge of the movie.

It's too early to know whether Minority Report , on the heels of A. Hoberman of The Village Voice said it is "the most entertaining, least pretentious genre movie Steven Spielberg has made in the decade since Jurassic Park.

Though he approved of the movie, he derided it in his review as a superficial action film, cautioning audiences to enjoy the movie, but not "be conned into thinking that some sort of serious, thoughtful statement is being delivered along with the roller-coaster ride.

Andrew Sarris of the New York Observer gave the film a negative review in which he described the script as full of plot holes, the car chases as silly, and criticized the mixture of futuristic environments with "defiantly retro costuming".

On September 9, , it was announced that a follow-up television series had been given a pilot commitment at Fox. The series was envisioned to be set 10 years after the film, and focused on a male precog who teams up with a female detective to find a purpose to his gift.

From Wikipedia, the free encyclopedia. For other uses, see Minority Report. Theatrical release poster.

Gerald R. Molen Bonnie Curtis Walter F. Parkes Jan de Bont. Scott Frank Jon Cohen. Release date. Running time. Main article: Technologies in Minority Report.

Main article: Themes in Minority Report. John Williams. Main article: Minority Report TV series. Retrieved August 12, Retrieved March 24, British Board of Film Classification.

Retrieved January 30, Box Office Mojo.

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